Jeremy is joined once again by Chris Arnsby to examine the 1984 alternate cut by Giorgio Moroder of Fritz Lang's Metropolis. Their discussion covers such topics as post-WWI cinema, the ethics of edits, ivory backscratchers, early optical effects and statue therapy.
Below are a copy of the full-length restoration of the film discussed during the podcast, and a video version of Pat Benatar’s Here’s My Heart, about which Jeremy keeps eulogising.