It is Beverly Hills Cop: Axel F release day and the start of our Eddie Murphy Month, we’re playing not-the-hits but some of his others. Starting off with Steve Martin and Frank Oz’s Hollywood satire, a film that Andrew holds dear to his understanding of the world and art, and Johnny brings his brain to many ‘what-if-this-film-got-Bowfingered’ scenarios.
285 - STONE COLD
Last ep was for Johnny but this one’s Andrew taking the bike and riding it hard. What if an NFL star did Point Break in a Commando violent explosive fest featuring a komodo dragon, Lance Henriksen, a January 6 riot and every possible vehicle becoming a fireball in a single touch?
We also redo previous episodes on the Bad Boys franchise and talk Ride Or Die, Inside Out 2, The Pope’s Exorcist and announce July’s theme month!
284 - JUNE: THE JUNE CARTER CASH STORY
It’s June, and Johnny’s taking the show into his personal love, Johnny Cash and the people around him. Holding off for months since dropping on Paramount+, Johnny finally gets to watch the documentary on June Carter Cash, with talking heads from Dolly Parton and Willie Nelson, whilst Andrew discusses a month-long movie he’s started watching and discussions of similarly-titled movie Dune and Dune Part 2 occur, with requisite failed throat singing to boot.
283 - THE HITCHHIKER'S GUIDE TO THE GALAXY
Happy Towel Day! Yes, an episode long-in-gestation, since Johnny told Andrew there was a towel day and it was directly related to one of Andrew’s core art loves. We go sweary talking Sam Rockwell, The Office, Garth Jennings’ career, waking up early for a screening of this film and Jerry Seinfeld’s Unfrosted (And subsequent commencement speech). Grab a towel, stick out your thumb and don’t panic.
282 - TERRIFIER 2
The sequel to a barely-seen 84 minute indie horror splatter picture was of course a film longer than Star Wars (Episode IV) and made a tidy $15m worldwide, but what is it about the film, Damien Leone’s blank cheque and Art The Clown that gets audiences riled up and excited for more of his nasty, gory shenanigans? Andrew and Johnny probe the hard questions on the second half of an all-nighter recording that may have broken everything in both hosts’ brains, not in the way Art usually handles gooey organs though.
281 - TERRIFIER
It’s (gonna be) May, and with that we’re celebrating for some reason by clowning around with new horror ‘icon’ Art The Clown who seems to go around with knives and a gun to do killings to people. That’s as far as the lore allows us to go. Andrew recites half of Bart Simpson’s Deep Deep Trouble off the top of the dome and Johnny prepares for a wild night of FrightFest-related film watching, because this ain’t the end of our Terrifier coverage this month.
280 - THE RINGER
Johnny Knoxville and Brian Cox star in a film where the heart may be in the right place but the realisation definitely isn’t, so naturally there’s discussion of how it appeared on Disney+ when the Fox deal happened, and only when we plan an episode does it leave. Also long talk on the Joker: Folie a Deux trailer and a visit from Wallace Shawn to remind everyone that Rifkin’s Festival happened.
279 - TO KILL A MOCKINGBIRD
Harper Lee’s iconic book was turned to life with Gregory Peck’s phenomenal portrayal of Atticus Finch as the cornerstone of the entire cultural behemoth. In this episode we discuss Galaxy Chocolate’s US brand name, Foghorn Leghorn and Cut For Time SNL sketches. At some point the Sorkin adaptation, the book and the film come into conversation as well, but not before chifforobe talk.
278 - ROAD HOUSE 2024
It’s time to not be nice. Doug Liman’s remake of the Swayze classic and previous episode is here on the Primes and we’re taking a trip to Florida with Jake Gyllenhaal in wild man mode, shirtless, angry, fighting and fussing. Will we dig deep into our feelings for CGI fighting? Will we praise Arturo Castro, Billy Magnussen and Jessica Williams? Will the swordfish shown at the start amount to anything? Some of those questions have positive responses, so grab a bottle, smash a table and remember the famous phrases of Elwood Dalton. “The hospital’s 25 minutes away.”
BONUS - TAYLOR SWIFT THE ERA'S TOUR (TAYLOR'S VERSION) COMMENTARY
Oh good lord we did a silly thing.
Two guys who know little about Swift watch 3 hours (not the acoustic post-credits set) of songs, play games, talk Minnie Mouse as Poor Things and explore tge generation that follows.
We had a sync failure so ignore the first countdown, commentary starts 5 seconds into the film, at 16 minutes into the episode exactly.
277 - BEFORE THE DEVIL KNOWS YOU'RE DEAD
Andrew brings sadness and heaviness in the form of Sidney Lumet’s final film to Johnny, but have no fear because there is still fun to be had. Two Aunt Mays in one film? You bet we’re throwing out Madame Web chat, weirdly contemplate Ricky Stanicky and run through the strange trailers on the blu ray of the movie that do not set you up for the film ahead.
276 - ROCKNROLLA
It’s a Guy hangout when Johnny decides, nay insists, we cover Ritchie’s intended start of a trilogy of London crime flicks and Andrew dons his best ‘East End Accent’ to talk Tom Wilkinson giving it something hard, Mark Strong’s voice, that late 00s colour grading nightmare and just where the proposed rest of the franchise actually went.
275 - PINEAPPLE EXPRESS
Happy Valentine’s Day! This year we’re celebrating with a bromance, both between Andrew and Johnny and Seth Rogen and… James Franco (No problems there, totally fine, all good, mmhmmm) with a stoner action flick that brought David Gordon Green and Danny McBride together, a movie that would lead to Universal spending $400m for Exorcist rights (and rites). We talk weed, Gary Cole at a film junket, Amber Heard, the TV show Sit Down, Shut Up and background artists.
274 - THERE WILL BE BLOOD
WARNING This episode has two hosts sometimes coughing, the sickness is real!
It’s been nearer 2 years than not that we’ve given a regular episode, life has been wild and hectic and the pandemic run broke everything. Now we return to get the waters tested only to find it’s actually oil down there, and we’re watching Paul Thomas Anderson’s Oscar-winning masterpiece about Daniel Day Lewis as a messy bitch who lives for the drama.
BONUS - THE HUMAN CENTIPEDE 3 (FINAL SEQUENCE) COMMENTARY
HAPPY HALLOWEEN!
What’s scarier than the notion of another hour and forty minutes in Tom Six’s ‘shocking’ ‘button-pushing’ mind? We’re watching Eric Roberts in a prison-set Centipede movie, and finding anything to talk about whilst what technically counts as video synced to audio running over 70 minutes, and thus is a feature film, plays out. Not worth watching along with us, just listen and play trivia games like a normal podcast.
Commentary begins at 00:07:43
BONUS - THE HUMAN CENTIPEDE 2 (FULL SEQUENCE) UK CUT COMMENTARY
First off, legally we can only watch the UK Cut version so there may be sync problems at times due to, ya know, the original cut being rejected over where we record.
Johnny recalls his FrightFest experiences with this film and Laurence R. Harvey, while Andrew spends most of the time playing games because there’s literally nothing in this film to discuss besides ‘Mike Leigh coulda made something with this’.
Commentary begins at 00:11:44
BONUS - THE HUMAN CENTIPEDE (FIRST SEQUENCE) COMMENTARY
Halloween season is here, and Johnny’s dreams are coming true. Andrew is surgically attached to a microphone to watch the first of three movies Tom Six dared to dream about putting people arse to mouth in order to craft some sort of us-species insectoid. Erm… Good luck?
Commentary begins at 00:11:34
273 - NATIONAL TREASURE: BOOK OF SECRETS
Cage March ends with a second dose of Benjamin Franklin Gates, this time we’re dealing with Dame Helen Mirren having to fall back in love with Jon Voight, just why is Ty Burrell here, and what’s the deal with the upcoming series, is it going to be Gates-based? We’re done, at least, with treasure protecting for the moment.
272 - NATIONAL TREASURE
It’s time to steal the Declaration Of Independence as Cage March rolls onto Bruckheimer Blockbuster Season. Johnny has fond but fleeting memories of the adventure movie, but Andrew staunchly fears it’s not as good and fun as all the loud film twitter folk keep insisting it is. How will time tell us all?
271 - LEAVING LAS VEGAS
Pour one out for our thespian Nic Cage as he wins an Oscar bloating and stumbling to a decidedly devastating end, whilst Elisabeth Shue suffers so much throughout. Johnny takes his first stroll through, Andrew meanwhile faces up to watching a film he never wanted to return to. Heavy heavy stuff.
