Based on the mentions on another podcast, Andrew loads the final episode of Scare You Movie Mad 2024 with Stuart Gordon’s HP Lovecraft adaptation from the mid-90s, and Johnny discusses post-birthday malaise and missing out on Lin-Manuel Miranda’s new Warriors musical adaptation because time has been unkind. Anna Kendrick’s directorial debut is discussed as well as the continual fallout of Joker: Folie A Deux.
BONUS - DOOR-TO-DOOR MANIAC/FIVE MINUTES TO LIVE
Johnny’s celebrating another birthday and we’re sat together in different countries watching his beloved Johnny Cash in another movie, this time whilst singing and playing guitar he’s also got a gun and is playing a New Jersey criminal, with accent reaching about the border of Tennessee.
293 - IN A VIOLENT NATURE
Cronch cronch cronch, walking on dried leaves and bark, a ramble in the woods to start October’s Scare You Movie Mad run, we’re looking at the conceptual killer movie of 2024 about… walking. And sometimes a li’l murder for fun. Andrew eggs Johnny on to be more like the Johnny of the movie, and Johnny sings us his thoughts of new films including Joker: Folie A Deux, Megalopolis, The Substance and The Outrun. Andrew, though, slams down on some Salem’s Lot for good measure. We’re coming into Halloween month swingin’!
292 - REPO MAN
Ordinary Effing People!
Andrew details John Lithgow’s new London stage performance, Johnny takes a drive in a repossessed car and Alex Cox’s punk-social-satire gets examined before a dive into the world of Letterboxd and Emilio Estevez’s career take charge. What will be left come the end of the journey and who will They Live?
291 - NATIONAL LAMPOON'S VACATION
Vacation - All we ever wanted. Vacation - Had to get away.
It’s September and we’re sitting around, reminiscing on holidays long past as we pack the car and take a first trip with the original Griswold family. On top of stops on the road we spend the time discussing Beetlejuice Beetlejuice, spoilers galore, and Kneecap, as well as comparing the 1983 comedy with the 2015 reboot and run through the legacy of National Lampoon as a brand.
290 - ROAD HOUSE 2: LAST CALL
Straight from the bowels of DVD-only content comes the first attempt to lionise Road House as a modern classic, with Jake Busey and Will Patton and no Swayze. Will anyone have their throat ripped? Will animals (living or stuffed) attack baddies? Will this establish what the sequel to the Jake Gyllenhaal version should explore? Let’s find out together.
289 - GRAN TURISMO: BASED ON A TRUE STORY
From Gamer To Racer!
Johnny was hyped for this film in 2023 and it became his big summer obsession. Now a year on, Andrew hasn’t caught the game adaptation based on the true story yet, and it is prime time to turn life into content through the medium of podcasting. Will it be a pole position for this film, or will it spin out and not finish like Andrew’s reaction to CHAPPiE?
288 - THE GOLDEN CHILD
Ending Eddie Murphy Month with a look at a Paramount action comedy that kinda doesn’t exist but was big for a moment, Andrew and Johnny discuss Deadpool & Wolverine (spoiling things), Eddie Murphy’s music career and Meet Dave/Twisters, because everything is intertwined now and cinema is definitely a dead art form.
287 - HOLY MAN
Eddie Murphy Month rolls on and we give thoughts to Beverly Hills Cop: Axel F, discuss the recent situations of cinema, politics and the world, go down a Cameo rabbit hole, recall how films are made and find anything to talk about when broaching the subject of this entirely empty attempt at satire.
286 - BOWFINGER
It is Beverly Hills Cop: Axel F release day and the start of our Eddie Murphy Month, we’re playing not-the-hits but some of his others. Starting off with Steve Martin and Frank Oz’s Hollywood satire, a film that Andrew holds dear to his understanding of the world and art, and Johnny brings his brain to many ‘what-if-this-film-got-Bowfingered’ scenarios.
285 - STONE COLD
Last ep was for Johnny but this one’s Andrew taking the bike and riding it hard. What if an NFL star did Point Break in a Commando violent explosive fest featuring a komodo dragon, Lance Henriksen, a January 6 riot and every possible vehicle becoming a fireball in a single touch?
We also redo previous episodes on the Bad Boys franchise and talk Ride Or Die, Inside Out 2, The Pope’s Exorcist and announce July’s theme month!
284 - JUNE: THE JUNE CARTER CASH STORY
It’s June, and Johnny’s taking the show into his personal love, Johnny Cash and the people around him. Holding off for months since dropping on Paramount+, Johnny finally gets to watch the documentary on June Carter Cash, with talking heads from Dolly Parton and Willie Nelson, whilst Andrew discusses a month-long movie he’s started watching and discussions of similarly-titled movie Dune and Dune Part 2 occur, with requisite failed throat singing to boot.
283 - THE HITCHHIKER'S GUIDE TO THE GALAXY
Happy Towel Day! Yes, an episode long-in-gestation, since Johnny told Andrew there was a towel day and it was directly related to one of Andrew’s core art loves. We go sweary talking Sam Rockwell, The Office, Garth Jennings’ career, waking up early for a screening of this film and Jerry Seinfeld’s Unfrosted (And subsequent commencement speech). Grab a towel, stick out your thumb and don’t panic.
282 - TERRIFIER 2
The sequel to a barely-seen 84 minute indie horror splatter picture was of course a film longer than Star Wars (Episode IV) and made a tidy $15m worldwide, but what is it about the film, Damien Leone’s blank cheque and Art The Clown that gets audiences riled up and excited for more of his nasty, gory shenanigans? Andrew and Johnny probe the hard questions on the second half of an all-nighter recording that may have broken everything in both hosts’ brains, not in the way Art usually handles gooey organs though.
281 - TERRIFIER
It’s (gonna be) May, and with that we’re celebrating for some reason by clowning around with new horror ‘icon’ Art The Clown who seems to go around with knives and a gun to do killings to people. That’s as far as the lore allows us to go. Andrew recites half of Bart Simpson’s Deep Deep Trouble off the top of the dome and Johnny prepares for a wild night of FrightFest-related film watching, because this ain’t the end of our Terrifier coverage this month.
280 - THE RINGER
Johnny Knoxville and Brian Cox star in a film where the heart may be in the right place but the realisation definitely isn’t, so naturally there’s discussion of how it appeared on Disney+ when the Fox deal happened, and only when we plan an episode does it leave. Also long talk on the Joker: Folie a Deux trailer and a visit from Wallace Shawn to remind everyone that Rifkin’s Festival happened.
279 - TO KILL A MOCKINGBIRD
Harper Lee’s iconic book was turned to life with Gregory Peck’s phenomenal portrayal of Atticus Finch as the cornerstone of the entire cultural behemoth. In this episode we discuss Galaxy Chocolate’s US brand name, Foghorn Leghorn and Cut For Time SNL sketches. At some point the Sorkin adaptation, the book and the film come into conversation as well, but not before chifforobe talk.
278 - ROAD HOUSE 2024
It’s time to not be nice. Doug Liman’s remake of the Swayze classic and previous episode is here on the Primes and we’re taking a trip to Florida with Jake Gyllenhaal in wild man mode, shirtless, angry, fighting and fussing. Will we dig deep into our feelings for CGI fighting? Will we praise Arturo Castro, Billy Magnussen and Jessica Williams? Will the swordfish shown at the start amount to anything? Some of those questions have positive responses, so grab a bottle, smash a table and remember the famous phrases of Elwood Dalton. “The hospital’s 25 minutes away.”
BONUS - TAYLOR SWIFT THE ERA'S TOUR (TAYLOR'S VERSION) COMMENTARY
Oh good lord we did a silly thing.
Two guys who know little about Swift watch 3 hours (not the acoustic post-credits set) of songs, play games, talk Minnie Mouse as Poor Things and explore tge generation that follows.
We had a sync failure so ignore the first countdown, commentary starts 5 seconds into the film, at 16 minutes into the episode exactly.
277 - BEFORE THE DEVIL KNOWS YOU'RE DEAD
Andrew brings sadness and heaviness in the form of Sidney Lumet’s final film to Johnny, but have no fear because there is still fun to be had. Two Aunt Mays in one film? You bet we’re throwing out Madame Web chat, weirdly contemplate Ricky Stanicky and run through the strange trailers on the blu ray of the movie that do not set you up for the film ahead.